A control room that lives in a tab.
Preview, cue and take it to air from a browser tab. Guests join from a link.
Everything here is a real switcher.
Preview and program are separate signal paths, not a layout toggle. TAKE is a cut on the frame. The compositor runs on the tick rather than on render, which is why the cut lands where the director put it and not a beat later.
Cue it. Take it. It's on air.
This isn't a video. It's built from the same interface components as Conductor's director room, running live in your browser — so the speed you feel is the speed of the code. Click a source to cue it, then TAKE. Or press 1–4, then space.
Two paths. One control room.
The program is composited in the tab you have open. Where it goes next depends on the show. Each figure below came off an instrument on that path, with its conditions beside it.
Browser to Cloudflare, WHEP out. Close enough to conversation that a moderator can come back to a speaker while the answer is still live.
Browser to the GPU relay to Mux, HLS out. Encoded with hardware NVENC on a GPU provisioned for your show, at up to 1080p60 set per show, and a file sealed as it happens.
The producer does not change tools when the delivery path changes.
Every show arrives already prepared.
Prepared means artifacts, not intentions: the rundown timed, speakers invited and checked, assets versioned, graphics armed, destinations confirmed — before anyone joins.
The difference, in one line
You find the problem on Tuesday, not four minutes before air.
Your talent arrives in a room, not a link.
The watch page is part of the production.
The watch page is driven by the same show state the director is driving. Lower thirds, slides, polls and the record move because the cut moved — not because a second system was told about it afterwards.
Every cut, slide, poll and question that reached air, timecoded as it happened. The record is written while the show runs, not reconstructed after it.
AI that knows what the show is doing.
Six named tools, each with a job a producer can describe. Four are live. Two have not had their first run.
“Window side light; add front fill light. Wall clutter visible; minor distraction. Camera too high; subject looking downward.”
The first note on screen, transcribed word for word with punctuation added between findings. Real Lens output on a real green-room shot; it shows Lens only and isn't evidence for the other tools.
The decision stays with the person whose name is on the show.
Between a webinar tool and a broadcast truck.
Neither end of this is bad at what it does. One of them cannot do the craft; the other cannot do it on Thursday.
One side cannot cut. The other cannot be booked on Tuesday for Thursday. Conductor is the whole room, on Thursday, for the price of a tab.
KOL panels where the record matters
Safety information that stays on screen, approved assets only, and a timecoded record of what was said and shown. The panel runs like a broadcast because the transcript will be read like one.
Three products, one control room.
The control room. Director, guests, audience and intelligence, in a browser tab.
Puts hardware sources into the room. Capture cards, PTZ and NDI, contributed over SRT from a Mac.
A native macOS production app. NDI in and out, Blackmagic capture, ProRes recording and Metal GPU compositing.
